This is a not very brief description of a great day I had on Saturday.
I work in an office, (actually my first office job) helping farmers with loans and information. That is theoretical, actually. I have not helped anyone yet, I mostly try my hardest to follow their conversations and pick out the Romanian I know, but those tricksters are always mixing it up with Russian, or even Ukrainian, I think. They sound similar but I don’t know any words at all. So anyway, I mostly sit and listen. I meet a lot of consultants who act as our liaisons, and they are always nice guys with a lot of gold teeth who shake my hand and stare at me like I might burst into song at any moment, or flame, either one. And they wouldn’t be surprised either way, because who knows what to expect from an American?
On Thursday I was introduced to Domnul Nicolai Mitrofan. (Domnul is the formal form of mister) He wanted me to go with him to attend an art show of his brothers in Briceni. (Pronounced Bri-chen, a village about 30 km away) I was to meet him on Saturday at 8:00 am across from where the Lenin statue stood until recently, when it was torn down by vandals in the night. The Lenin statue without Lenin, they said, and if I hadn’t seen the statue a month ago I would think they were the crazy ones. I still find this amusing. And he would provide a car, which is a pretty big deal in an area where they are definitely a luxury item. Jana wanted to go, and another volunteer, Walter Diller, from Cincinnati, was in town and interested. So I got approval for the extra passengers and we were all set.
Saturday morning Nicolai and his friend (whose name I couldn’t ever quite hear) were waiting with a blue Volvo wagon, the first I had seen in Moldova. The drive took just about an hour, but it was really pretty scenery, rolling hills and forests, verdant green with the occasional small town nestled snug in a valley for contrast.
We went initially to his brother, Teodor Mitrofan’s house, where we were given a tour of his garden, a half hectare of fruit trees and vines, flowers, vegetables laid out perfectly and well maintained, and saplings of various sorts, which he sells when they are big enough to survive being transplanted. He had a pig, a dozen hens or so and all the trappings of a gentleman farmer.
We sat a table under an arbor of almost perfectly ripe grapes as my host and his wife brought an endless array of fruits and potatoes and delicious finger foods. Then came the cognac. They called it cognac, and I suppose it looked like cognac as well, but I will consider it an assault if I have to drink that paint stripper again. (A brief aside, I don’t drink hard liquor anyway, and I was warned that folks up here make their own booze from corn or sugar beets, and that it tastes like fermented dog hair, but to be polite I drank it. At 9:00 am. –our driver did not drink, nor did Teodor, as he was going to be driving as well.) It was very nice of Teodor to extend such amazing hospitality to a group of people he had never met before. (Note to self; be nicer to everyone you meet.)
Oh, and he showed us his artwork, brilliantly rendered portraits of his family and friends, landscapes which looked surreal and yet photorealistic. I have known many artists in my life, from any school you can think of, from famous to unknown, and I would put Teodor’s work somewhere near the top. Equally as impressive for me was the sheer volume of his paintings, I saw 50 or 60, I would say, of a high standard of quality, which leads me to believe he hates sleep or doesn’t sell his paintings. I consider myself somewhat prolific and have half that number of paintings at any given time, and I truthfully don’t think I would put my work in his league. So I was and still am very impressed.
Next we went to see his art exhibit proper. Teodor drove his Lada wagon and our driver his Volvo. On the way Jana called John and Shelbi Rucker, volunteers from Texas who happen to live in Briceni. They were kind enough to meet us by their Lenin statue, still standing, in the town center. We walked around a bit, Briceni is the same size as Dondeseni, apparently, but it looks much larger, and the Russian influence is more pronounced, being right by the Ukrainian border. We picked up a bottle of Champaign for our hosts and went to the library, where the exhibit is being held. On the way, Shelby says she saw an interview with Teodor on the television, so that’s neat.
The art exhibit was very impressive; I liked a painting of a guy holding up a large fish he had just caught, with a factory belching smoke in the background. I have been planning a painting of a power plant in a pastoral setting for some time myself, so clearly Teodor is a visionary of distinction. I seriously debated buying a painting for my mom of a herd of horses running through a ravine with a sky that you could almost feel, but getting a big painting out of here will be tricky/expensive. (this is really terrible to say, but his paintings were also not very expensive. By America standards anyway, the economy here is not exactly vibrant.) Jana and I pledged to buy a painting of three hikers in front of a beautiful valley with a lake in its center. Teodor said the location is quite close and insisted we go post haste. (I say we pledged to buy a painting because the show is up until October, and so we neither paid for, nor received, a painting. Also, Walter pledged to buy a painting of Orhei, the very scenic and historic town where he lives.)
We load back up into the two cars and drive about ten miles or so on some exceedingly unimproved roads, down some inclines I’m pretty sure a Lada wagon will not be making it back up. We followed cows for a while, asked directions from children, met cars coming the opposite direction on cliffs, all the best things for a leisurely drive in the country.
We drove past the lake, not much to say about it, except an Egyptian crane was standing regally in its water. Just past the lake, we arrived at a valley, between two hills of about one thousand feet, rocky and wooded. We set off “pe jos”, on foot, as they say, and hiked a mile or so though glades and little streams, with wild pears and flowers to distract us. I saw a new frog species I haven’t identified yet and a flower my mom calls paper lanterns, I think. A cave, (the third longest gypsum cave in the world BTW -85km) was about halfway up the hillside, so John, Walter, Teodor, and myself, decide to explore. Nicolai smokes like crazy so he is not eager to tackle the hill. Teodor, all 71 years of him, keeps up a good clip and tells me the cave has been inhabited for 50,000 years on the way up the incline. We go in and it is pretty cool, definitely something I want to return to.
We take a different route home, way easier than the way there, and arrive at Teodor’s house at about the time we were supposed to be heading back to Dondeseni, and we all have some serious foreboding about that damned liquor, because who could forget a mauling like that? (a brief detour- all along the road we had just driven, miles and miles, we saw people harvesting with a machete what looked like small corn, we found out it is in fact used to make brooms. Teodor’s yard was filled with the stuff, stacked three feet high and about fifty feet long I would estimate, and his wife was making these brooms by hand) So we agreed to not drink cognac, under any circumstances, and then of course ended up drinking a shot- Moldovan hospitality is not to be trifled with. More food, a type of salted pork that was amazing, it looked like something a Scotsman wouldn’t eat on a dare- but so good! Even Jana liked it, which is saying something. Then we had some new wine, basically unfermented grape juice, but close, fizzy and quite tasty. I professed my desire to help him make wine in a few months, so hopefully that will happen. Teodor said the only thing he regretted was being so old, which broke my heart, so of course I challenged him to an arm wrestling match, and tied him, so it’s kind of like we both won.
Anyway, we made it home safe and made some new friends, and that’s about the best thing I can ever hope for.